Rizal’s El Filibusterismo Stolen: How it was Repossessed
In my previous blog, I wrote about how the Mi Ultimo Adios was stolen, retrieved
from the Rizaliana Thief. (See http://penelopevflores,blogspot/12/5/2113/The Greatest Heist in Rizaliana
History/html
In this blog, I continue with my story based
from the newspaper clippings of Elizabeth Roces Pedrosa.
Review Act 1. The Three Rizal original documents were
stolen on 8 Dec. 1961. It appeared like
an inside job. Secretary of Education
Anding Roces met with the thief “emissary” and by sheer personality sleight of
hand, and bravado, got the Mi Ultimo
Adios without paying a single cent for ransom.
We begin this blog with Act Two.
Act
Two, Scene 1. The El Filibusterismo negotiations
at Luneta Grandstand
Roces and the mystery man agreed to meet again at
the Luneta Grandstand, on 3 Feb. The thief complained
about the news coverage.
“What is happening? We should be the ‘bida’ but in the news, it’s you Sekretaryo
who is the bida, "the starring role."
“And why not,” the Sekretaryo riposted,
“Porque ba ako ay bigotillo, ay palagi na akong contra-bida?” [Just because I have a moustache doesn’t mean
I’m always the villain]. In Philippine movies, the villain is always characterized
as wearing a moustache.
The Sekretaryo has now changed his strategy through humor. The frantic negotiator lowered the ransom amount to
100,000 pesos.
Roces remarked that no money could be exchanged. At this point, the thief suggested paying the
ransom “in kind". "Can you get me a civil service job?"
“Gladly.
I can give you a teaching job. Do you have a teaching certificate? I can
assign a Rizal course for you. But you
have to give me your full name and address.”
“No way. I do not want to incriminate
myself.”
The thief said he wants to be admitted to
the medical school at Far Eastern University with full free tuition and books.
“Done,” said Roces, “give me your
transcript of records, I will have you registered to take the Medical Entrance
Exam. How is your chemistry and advanced calculus test taking skills? You have to pass this, you know.”
He felt trapped and looked defeated.
They got into Roces' car. From there the emissary told him to go to Dewey Blvd, going through a most circuitous way on to EDSA to ensure no one is following them.
They arrived at a Quezon City restaurant called Café Alba. There they sat down and renewed their negotiations over a glass of soft drinks for the thief, and a glass of sangria for the Sekretaryo.
They got into Roces' car. From there the emissary told him to go to Dewey Blvd, going through a most circuitous way on to EDSA to ensure no one is following them.
They arrived at a Quezon City restaurant called Café Alba. There they sat down and renewed their negotiations over a glass of soft drinks for the thief, and a glass of sangria for the Sekretaryo.
Scene
2. Café Alba Restaurant, Quezon City
Manila Times, news coverage, Feb. 8, 1962. |
Anding Roces is a young creative writer and author. He worked his six -item-talking points on this thief.
“Have you ever stolen anything of value
before?”
“No.”
“So, have you really thought out the full
and unintended consequences of this theft?”
“Like what? Just give us the ransom money so my family and
I can live in comfort.”
“By now, you know that several things have
disrupted your comfortable and simple life until the theft, Remember…
1] That you and your accomplices won’t get
a single centavo from the government, and presently, you are making a woeful progress in our negotiations;
2] No one in their right mind would touch
the Noli and Fili as purchase items because these have become notoriously too
hot to handle. We know you approached the museum director of Santo Tomas University with no success;
3] You have in your hands red hot potatoes with nowhere to turn. The police are
ready to pounce on you.
4] I can easily give the National Bureau of Investigations your physical
descriptions. Your face will be all over the newspapers, but not your
accomplices. Naisahan
ka nila. [They put one over you.] You’re
a marked man. The Manila mayor, Arsenic Lacson, is on a wild rampage to get you-all.
It is very clear to me that you are only acting as a contact man for the real criminal masterminds.
It is very clear to me that you are only acting as a contact man for the real criminal masterminds.
5] If, as you threatened, you will burn the
novels, you and your family, and for generations to come, will be dammed and cursed
always and for all eternity recurring every time Rizal’s memorial is celebrated
twice a year: on his birthday in June and his martyrdom in Dec.
You can be hanged. Is this what you really want?
You can be hanged. Is this what you really want?
6] Make a right rationalization and for
national posterity, return the historical documents to me now. All your defenses have crumbled.
There was a long pause. The thief looked so nervous and scared. His
eyes darted sideways several times.
Roces believed the real culprits were peeking from somewhere.
Roces knew when to rein the rope tight and
when to give slack. This time he followed in an amianable manner:
“However, if you do give it back ako ang bahala sa iyo.” [I’ll not leave you on a lurch.]'
Spoken in Tagalog it carries an emotional assurance.
“However, if you do give it back ako ang bahala sa iyo.” [I’ll not leave you on a lurch.]'
Spoken in Tagalog it carries an emotional assurance.
That nailed it.
Act Two, Scene 3, Barrio Fiesta, EDSA
Back on the car they drove to the Bonifacio
Monument at Balintawak, Caloocan, Rizal.
Two kilometers past the monument, they parked
in front of Barrio Fiesta Restaurant on Highway 54, (now EDSA). The man reiterated he’d return it for some money consideration.
Roces replied, "No, never! The country will not pay anything.
Just give it back through your loyalty and patriotism.”
He got out of the car and said, “Wait here.” The wait time was as thick as molasses. He had been out long and Roces was beginning to feel that he lost him.
But he reappeared carrying a box. He put the box on the car’s passenger seat. He mumbled, "Kayo na ang bahala sa akin." [cover my back.]
But he reappeared carrying a box. He put the box on the car’s passenger seat. He mumbled, "Kayo na ang bahala sa akin." [cover my back.]
Roces opened it, and the three figures of
the three martyred Filipino priests: Gomez, Burgos and Zamora on the book cover assured him that the El Filibusterismo was finally in
his hands.
In my next blog, I'll write the sensational drama behind the return of the Noli me tangere. Stay with me for Act Three.
Sources, newspaper clippings of The Manila Times, The Daily Mirror, The Chronicle, The Evening News, and Kislap-Aliwan. Magazine, Feb 4 to 8, Mar 1, 3, 21 1962.
In my next blog, I'll write the sensational drama behind the return of the Noli me tangere. Stay with me for Act Three.
Sources, newspaper clippings of The Manila Times, The Daily Mirror, The Chronicle, The Evening News, and Kislap-Aliwan. Magazine, Feb 4 to 8, Mar 1, 3, 21 1962.